TIM WHEATLEY

Alt folk rock troubadour, Tim Wheatley is back with a unique dose of melancholy and Australiana, dropping his deeply personal single, Lying Low. To celebrate the release Tim takes Musicology Crate Dig'n to find out more about the albums that shaped his new record and musical style.

Lying Low is complemented by a fittingly dark and manic video clip that showcases the private suffering and switching of personalities that inspired the song. Produced and engineered by Michael Badger (King Gizzard & The Lizard Wizard, You Am I, Amyl & The Sniffers) at Jaya Jaya Music in Melbourne.

Mixed by ARIA award winning Steven Schram (Paul Kelly, San Cisco), Lying Low tells a tale of darkness with that raw, raspy voice Wheatley is best known for, and his intensely introspective songwriting shines. “It was the first song I wrote after moving from Los Angeles to London.

The adjustment from sunny California to the cobblestone streets of East London was near impossible for me. I wrote this song feeling more isolated than ever, in a new city, away from family and friends, and without the ability to perform live,” explains Wheatley. “I stopped talking about how hard I was finding it, because I was drowning in other people’s well-intended but cookie cutter advice. I was going stir crazy in my own company all day and night. It was a true test for my mental health, I was suffering and switching up a few different sides of my personality trying to find the one that could best get me through each situation.

It was exhausting ‘getting out there’ and making new friends, for some reason during this period I felt I needed to keep to myself to get to the other side.” Directed and filmed by Ben Cook (Bombay Bicycle Club, Bring Me The Horizon) at the Sony Music Studios in Sydney in the midst of the bushfires raging across the country, the video’s intent was to demonstrate the solitude and strain the move had on Wheatley. “We wanted it to be frantic and dark, but ultimately strong enough to stand on its own,” says Wheatley. “Ben and I deliberately went in to the filming of the video wanting to capture something completely unrehearsed and candid with nothing but a light and his new Super8 camera, and possibly a bottle of scotch.”